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Romani MusicROMANIMUSIC

Chronicle

History timeline

Years on a line. Every date here is already in a chapter.

c. 1000 → now

History

The story

  1. Origin

  2. c. 1000

    Northwestern India

    • Linguistic and genetic research points to an origin in northwestern India more than a thousand years ago.
    • Romani is an Indo-Aryan language.
    • There is no surviving original Romani music that can be played as a fossil.
  3. 1417–1427

    Written into Europe

    • In 1417 a group is mentioned in Hildesheim.
    • In 1420 they are recorded in the Netherlands and Belgium.
    • In 1427 a larger party arrives near Paris.
  4. Named styles

  5. 1711–1827

    The restaurant violin

    • Czinka Panna (1711–1772) was a named Romani woman bandleader in the Kingdom of Hungary.
    • János Bihari (1764–1827) is the named ancestor of the Hungarian restaurant violin.
    • Verbunkos grew as recruiting-dance music. The csárdás is the public dance form.
    János Bihari, Hungarian Romani violinist
  6. Late 18th c.

    Choirs and seven strings

    • From the late eighteenth century, Romani choirs became a Russian fashion.
    • The seven-string guitar was the domestic instrument of this world.
    • Theatre Romen in Moscow, founded 1931, is the oldest professional Romani theatre.
  7. 18th–19th c.

    Flamenco named

    • Romani people reached Spain in the fifteenth century. They became the Calé.
    • By the eighteenth and nineteenth centuries, in Seville, Jerez, Cádiz and later Barcelona, a song form had a public name: flamenco.
    • It is Andalusian. It is also Gitano.
  8. 1850s

    The lăutar’s job

    • In Wallachia and Moldova the professional musician at a wedding is, more often than not, a Romani lăutar.
    • The occupation outlived slavery in the principalities, abolished in the 1850s.
    • A taraf is the working unit. Manele is a later urban room of the same profession.
  9. Long calendar

    Brass, clarinet, 9/8

    • In the southern Balkans Roma long held the outdoor pairing of zurla and tapan. Brass bands inherited the same calendar: weddings, feast days, funerals.
    • Roman communities in western Turkey have been professional musicians since the Byzantine and Ottoman centuries.
    • In the Turkish Republic a commercial dance genre took a public name: Roman oyun havası.
  10. Places that paid

  11. 1934

    Django and the Quintette

    • Jean “Django” Reinhardt, born into a Manouche family, fused the old Sinti family style with the American jazz he heard in Paris.
    • With the Quintette du Hot Club de France he created a sound the wider world would recognise.
    • Jams and concerts of this family sit on gypsyjazzhub.com. This archive keeps the history.
    Django Reinhardt
  12. 1935–1939

    Holland–Hungary

    • Hungarian Roma, Romanian Roma and Sinti families arrived in Dutch restaurants.
    • They came for rooms that wanted a standing violin: csárdás, hora, Russian standards.
    • Veres, Mirando and Serban played the same book. Three families, not one kinship.
  13. After the war

  14. 1939–1945

    The Porajmos

    • The music did not pass through the twentieth century unharmed.
    • At Auschwitz-Birkenau a family camp held about twenty-three thousand. Almost none of them came home.
    • This is why so many German Sinti players of the next generation treated Django’s tunes as survival, not nostalgia.
  15. 1960s–1990s

    New rooms

    • Gitano Pentecostal churches, from the 1960s, made alabanzas — praise songs with a flamenco body and a gospel text.
    • Kalyi Jag began in Hungary in 1978. Taraf de Haïdouks and Fanfare Ciocărlia walked a local professionalism onto festival stages in the 1990s.
    • Manele grew fast after 1989. It is a later urban style, separate from the village taraf.
    • Táncház in Hungary from the 1970s: village dance, next to the café book (The Fiddle Channel, 2020).
  16. This archive

  17. Always

    How the music is passed down

    • Most of this music never saw a microphone.
    • It is learned by ear in the family. Weddings, taverns and restaurants taught the style.
    • The family is the archive. Records are what reached a public.
  18. Now

    This archive

    • This site is an archive of Romani music.
    • Romani musicians play in many countries. The music differs from country to country.
    • The catalogue files history, families, artists, and styles. Jazz manouche also has its own site: gypsyjazzhub.com.
  19. What is next

Every page here is written from sources. List of sources used →